The left wall next to the entrance
portrays Matho's founder, Tungpa Dorje, with representatives of
Matho's two oracles below him. Next to him is an idealized portrait
of the present head lama of the Sakya sect. The right entrance wall
shows a White Mahakala (a particularly fierce protecting deity)
and to the left of this is a painting of the Four Headed Sarvavid
(the omniscient or guardian aspect of Vairocana (the Teaching Buddha).
The wall murals on the left side of the Lhakhang depict various
lamas of the Sakya sect while the right wall shows the various manifestations
of Sakyamuni, the Historical Buddha. The central panel of the right
wall depicts Tilopa, Naropa, Marpa and Mila Ras-pa, historical personages
associated with the early doctrines of the Saka sect. In front of
the Lhakhang is dominated by the throne seat reserved for the Sakya
sect's head lama who now resides in Dehra Dun. The central statue
behind the throne is Sakyamuni, the Historical Buddha, blanked by
the red decorated hats worn by Matho's oracles. Surrounding the
statue are numerous small Buddha statues flanked by the canonical
texts of Buddhism. After leaving the Lhakhang, the entrance to the
ukhang or main assembly hall is visible on the right side of the
courtyard. The verandah is again painted with the Guardians of the
Four Directions but the murals are old and not in very good condition.
Inside the Dukhang are two rows of seats for the lamas and a throne
seat reserved for the Rimpoche or head lama of Matho. The four statues
behind the throne seat are, from the left, the thousand-armed form
of Avalokitesvara (a Buddhist deity analogous to the Hindu god Shiva
and believed to be reincarnated in the Dalai Lama), Maitreya (the
Future Buddha of Compassion), Sakyamuni and a blessing Buddha. The
wall on the left side of the Dykhang shows various Sakya lamas and
the Four Headed Sarvavid. The right wall depicts the four-armed
manifestation of Avalokitesvara, a blue Sakyamuni and two Sakya
lamas. The entrance wall has Mahakala the fiercest Buddhist guardian
divinity on the left and other protecting deities on the right.
Upon leaving the Dukhang, climb the flight of steps on the right,
walk through the enclosed passageway towards the left until a wooden
ladder is reached. Climb the ladder and at the top go through the
door immediately in front and enter a small courtyard. Go through
the door at the opposite end of the courtyard and there are two
rooms to be seen: the Gonkhang on the left and the gompa museum
on the right. Women are not allowed in the Gonkhang and photography
is prohibited.
The Gonkhang, in which meditation takes place, is ascribed great
spiritual power as it is the room in which Matho's order prays and
enters into a trance. The oracle's special clothing is hung in this
room and the Gokhang also contains old weapons and thanks, masks
and statues. Directly opposite the entrance is the seat of the head
lama and in front of that is a table for maize and oil lamps. According
to an old custom, a representative of every family from Matho village
brings a small bowl of maize grain from the first harvest to this
room. This practice is not accompanied by any special ceremony.
One lama, changed every three years, is particularly responsible
for the Gonkhang. The museum opposite the Gonkhang contains, among
other things, numerous thanks, a stuffed yak, a poorly stuffed and
preserved snow leopard, masks, stucco statuettes. Phurbos (ceremonial
daggers) and miscellaneous ritual objects. Leaving this area of
the gompa and returning to the small outer courtyard, on the right
is the Lamdre, a shrine in honor of the Lamdre lineage of lamas.
Lamdre is a special teaching associated with the Sakya sect. Photography
is not permitted in this room, which contains numerous statues of
various Sakya lamas, old thanks and small Buddha and Mahakala statues. |